Mientras miro un trozo u otro de pared, en una u otra calle, pienso en como detr\u00e1s de una capa de pintura hay otra, y otra, y otra…<\/p>\n
Los referentes hist\u00f3ricos, los eternos referentes,\u00a0los par\u00e1metros conocidos, se resquebrajaron, y se van \u00abdescascarando\u00bb, van dejando entrever lo que hay detr\u00e1s.
\nAl principio, sent\u00ed un poco de v\u00e9rtigo. Aunque pens\u00e9 que me encontraba ante otra oportunidad de cambiar el punto de vista. Mutar la percepci\u00f3n.
\nAceptar el vac\u00edo que dejan las estructuras desgarradas, derrumbadas, inoperantes, in\u00fatiles u obsoletas.
\nY s\u00f3lo entonces, hay sitio para intuir lo nuevo.<\/p>\n
Barcelona, 2016<\/p>\n
………………………………………………………………..<\/p>\n
What inspired the work?<\/em> In the last years I’m experimenting with different ways of working, different ways of moving the body on the surface, different attitudes in front of the canvas. Trying to unify my mind with my feelings and my body.<\/em> Time is an articulator of consciousness.<\/em><\/p>\n
\nThe landscapes of the streets.<\/em>
\nWhat do you expect your viewers to feel \/ think?<\/em>
\nI do not expect a closed answer, since I myself find different levels of reading in each painting.<\/em><\/p>\n
\nMutating the perception<\/em>
\nWhile looking at a piece or another wall, in one street or another, I thought of how behind one layer of paint there is another, and another, and another …<\/em>
\nAnd in us, how the moral, social, political, economic, and aesthetic parameters are \u00abpeeling away.\u00bb And at first, I felt a little dizzy. And I thought I was facing another chance to change my point of view.<\/em>
\nTo mutate perception.<\/em>
\nTo accept the void left by torn, collapsed, useless or obsolete structures.<\/em>
\nAnd only then, is there room to intuit the new.<\/em><\/p>\n