{"id":359,"date":"2016-07-11T14:04:10","date_gmt":"2016-07-11T14:04:10","guid":{"rendered":"http:\/\/www.marcelajardon.net\/2016\/?p=359"},"modified":"2025-04-04T10:32:17","modified_gmt":"2025-04-04T10:32:17","slug":"presencias-cotidianas","status":"publish","type":"post","link":"https:\/\/www.marcelajardon.net\/2016\/presencias-cotidianas\/","title":{"rendered":"presencias cotidianas"},"content":{"rendered":"

everyday presences<\/strong><\/em><\/p>\n

This series simulates the images of scientific research on seeds and leaves, and everyday objects.<\/em>
\nThe writing and the signs are calligraphy, asemic writing.<\/em>
\nSo, I wonder, how far can we trust the truthfulness, accuracy, and even importance of documentary images?<\/em>
\nI believe that without an extreme ethical conscience, (and even with it) the documentation is deeply destined to be partial, to exclude the blind spot of the documentary maker, and to cancel possibilities of experiences of the rest of the observers.<\/em><\/p>\n

………………………….<\/p>\n

presencias cotidianas<\/p>\n

Esta serie simula las im\u00e1genes de investigaci\u00f3n cient\u00edfica sobre semillas, hojas, y objetos cotidianos.
\nLa escritura y los signos, son caligraf\u00eda, escritura as\u00e9mica.
\nEntonces, me pregunto, hasta d\u00f3nde podemos fiarnos de la veracidad, exactitud, e incluso importancia de las im\u00e1genes documentales?Creo que sin una extrema conciencia \u00e9tica, (y a\u00fan con ella) la documentaci\u00f3n est\u00e1 profundamente abocada a ser parcial, a excluir el punto ciego del documentador, y a anular posibilidades de experiencias del resto de los observadores<\/p>\n

Fotograf\u00edas intervenidas digitalmente, Barcelona, 2014<\/p>\n

>>>shop<\/a><\/p>\n