{"id":4474,"date":"2024-02-19T13:38:11","date_gmt":"2024-02-19T13:38:11","guid":{"rendered":"https:\/\/www.marcelajardon.net\/2016\/?p=4474"},"modified":"2024-02-20T14:30:47","modified_gmt":"2024-02-20T14:30:47","slug":"2015-ppoetry-in-visual-museo-de-aveiro-portugal","status":"publish","type":"post","link":"https:\/\/www.marcelajardon.net\/2016\/2015-ppoetry-in-visual-museo-de-aveiro-portugal\/","title":{"rendered":"(2015) Poetry in Visual. Museo de Aveiro, Portugal"},"content":{"rendered":"<div id='gallery-1' class='gallery galleryid-4474 gallery-columns-8 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/flyer-2.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/flyer-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/poetry-in-visual-press-rele.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/poetry-in-visual-press-rele-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/Roteiro_exposicao.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/Roteiro_exposicao-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/19030_510163545804287_6529638021158506824_n-2.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/19030_510163545804287_6529638021158506824_n-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/otras-narrativas.desde-el-silencio-det.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/otras-narrativas.desde-el-silencio-det-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/el-sonido-de-tu-amor-1.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/el-sonido-de-tu-amor-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/guardate-esos-comentarios-1.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/guardate-esos-comentarios-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/otras-narrativas.desde-el-silencio.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/otras-narrativas.desde-el-silencio-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/otras-narrativas.desde-el-silencio-150x150.jpg 150w, https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/otras-narrativas.desde-el-silencio-720x720.jpg 720w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/convite1-.pdf\">convite1<\/a><\/p>\n<p><a href=\"https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/convite2-.pdf\">convite2<\/a><\/p>\n<p><a href=\"https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/Final-selection.pdf\">Final selection<\/a><\/p>\n<p><a href=\"https:\/\/www.marcelajardon.net\/2016\/wp-content\/uploads\/POETRY-IN-VISUAL-\u2013-Malgorzata-Dawidek.pdf\">POETRY IN VISUAL \u2013 Ma\u0142gorzata Dawidek<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Concept<\/strong><br \/>\nThe exhibition Art-Map Aveiro 2015 intends to bring together artworks which involve the concept of image, text and auto-reflection. Nowadays, we often have the situation where the idea of Poiesis is disregarded by the idea of contemporary. The urgency of contemporary can be contrasted with the poetical that is also uttered by the \u201ceveryday\u201d around us. Consummation of technological progress is presented to us as a matter of an unavoidable contemplation. In the condition of ubiquity of the cult of technology, information and consummation, actuality of the concept of Poiesis will need to be revoked.<br \/>\nIn this exhibition the theme of Poetry in Visual will be highlighted through the various artistic works exploring narratives of the image and shapes of the text. Modern art theories inspire a line which doesn\u2019t care about poetical element in practice and interpretation. . Art-Map seeks to move beyond that discourse, proposing the viewer material to perceive the contemporary through Poiesis.<br \/>\nBut how can we delineate Poiesis when it is seemingly synonym for artistic expression? The essence of Poiesis is where the everyday has slowed to its \u201cimperceptible Vibration\u201d1; Exhibition convention will inspire us to ask how we can engage Poiesis in the condition of everyday, when we are exposed to the emerging amalgamation \u201cbetween industry, arts and science\u201d.2<br \/>\nA Reasonable question will be: what does constitute the everyday?<br \/>\nOur experiences of everyday are regulated by \u201cthe emerging technological futures\u201d in which the immediate impersonal exchange and consummation seems meaningful. \u201cThe space and time needed for us to discern the relevance of this informational excess is collapsing and dissolving our lived experience.\u201d3<br \/>\nData exchange is like a global force that is absorptive and oblivious; not people consume the information but the information consumes the people. At the bottom of the<br \/>\n1 Thomas, Paul, (2007), Stillness Contemplation and Pattern Recognition, The 3rd Biennale of Electronic Arts Perth, Western Australia 10 \u2013 23 September;<br \/>\n2 ibid<br \/>\n3 ibid<br \/>\nT<br \/>\ndata there is submerged Poiesis. \u201cTechnologies constitute saturate and penetrate us with transmissions of data\u201d4 turning ridiculous the idea of poetical contemplation. Poiesis needs perception, whereas technology and information insist on reception. Multiple devices and networks connect any step of the individual: private is shared and communicated to deceive the loneliness.5 Everyday TV, Internet, blogs, chats, news provide a fake sensation of community and belonging, yet if for a moment it stops we experience an overwhelming emptiness.<br \/>\nArt gives us a moment to discover other possibilities. It gives us \u201cemotional space and time for reflection and contemplation\u201d. One of the concepts which stand behind the theme of the exhibition poetry in visual is to create such \u201cemotional space\u201d. Openness for Poiesis fulfils a personal space, endows it with air and imagination, even if doesn\u2019t bring the information, it brings the sensation of the meaningful presence6. Through Poiesis, the self has a present and as has a subject that enriches from what is exposed to him\/her, that self can be explored.<br \/>\nThe project examines whether the principle of the informative value predominates in art? or whether the artist is capable of turning explicit the poetry dispersed in the \u201cfiction of contemporary\u201d.7<br \/>\nThe artist\u2019s special capacity is of seeing, hearing, reflecting on visual and verbal significations and converting these experiences as artworks; the artist\u2019s special capacity is of comprehension and poetical description of the cultural environment in which he\/she finds himself.<br \/>\nArtists understand and explore the relationship between self and contemporary, constructing an image of it from the reality around them.8 This relation resolves as an art object that reveals the inherent visuality of language and the informativeness of the image.<br \/>\nTechnologically mediated or handcrafted metaphorical descriptions of reality made by artists subvert our<br \/>\n4 ibid<br \/>\n5 Adorno, Theodor and Max Horkheimer, Dialectic of Enlightenment, Trans, John Cumming, London: Verso, 1972, (The Culture Industry: Enlightenment as Mass Deception)<br \/>\n6 Schr\u00f6ter, Jens (2010), \u201cThe Politics Of Intermediary\u201c Acta Univ. Sapientiae, Film Andmediastudies, 107\u2013124;<br \/>\n7 Osborne, Peter, (2013), Anywhere Or Not At All. Philosophy of Contemporary Art, Verso, London;<br \/>\n8 Kosuth, Joseph (1975), \u00abArtist as Anthropologist\u00bb, (extracts) reprinted in The Everyday: Documents of Contemporary Art, Stephen Johnstone (ed.), Cambridge, Mass. : MIT Press, 2008;<br \/>\n\u201cassociative mechanism\u201d by linking dispersed ideas or separating complex concepts into elementary parts.9 Exactly on this edge of losing control over the habitual associative patterns resides the capacity to perceive Poiesis.<br \/>\nShaping a text, a fragment or a word into image or object, \u201cin this way the transformation of data can be seen to have the sum total of all its parts and is understood to form a whole\u201d10. When the verbal code is revived, transformed into visual objects, we can translate them, and comprehend the issues which slide away from us in the everyday.<br \/>\nTranslation of the image into text is a search for the other properties of the image. The visual is rendered into the verbal body. The image is granted with the unexpected immateriality of the speech and the art object itself obtains a fluency of communication. The text seen is immediately spoken inside us, and when it is spoken it is immediately heard. In the transgression of the image between seen, spoken, and heard lays the point where the poiesis supervises our perception.<br \/>\nBy developing the theme of Poetry in Visual this project bears the hope to serve as an inspiration of the artistic works and to provoke the audience to reflect upon them.<br \/>\n9 Crimp, Douglas (1977), \u00abPictures\u00bb, Artists Space;<br \/>\n10Thomas, Paul, (2007), Stillness Contemplation and Pattern Recognition,The 3rd Biennale of Electronic Arts Perth, Western Australia 10 \u2013 23 September;<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"entry-summary\">\n&nbsp; convite1 convite2 Final selection POETRY IN VISUAL \u2013 Ma\u0142gorzata Dawidek &nbsp; Concept The exhibition Art-Map Aveiro 2015 intends to bring together artworks which involve the concept of image, text and auto-reflection. Nowadays, we often have the situation where the idea of Poiesis is disregarded by the idea of contemporary. The urgency of contemporary can&hellip;\n<\/div>\n<div class=\"link-more\"><a href=\"https:\/\/www.marcelajardon.net\/2016\/2015-ppoetry-in-visual-museo-de-aveiro-portugal\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &ldquo;(2015) Poetry in Visual. Museo de Aveiro, Portugal&rdquo;<\/span>&hellip;<\/a><\/div>\n","protected":false},"author":1,"featured_media":5767,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[313,262,311],"tags":[],"class_list":["post-4474","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogos","category-documentacion","category-exposiciones","entry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/posts\/4474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/comments?post=4474"}],"version-history":[{"count":2,"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/posts\/4474\/revisions"}],"predecessor-version":[{"id":4489,"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/posts\/4474\/revisions\/4489"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/media\/5767"}],"wp:attachment":[{"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/media?parent=4474"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/categories?post=4474"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/tags?post=4474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}