{"id":6432,"date":"2024-02-21T08:20:28","date_gmt":"2024-02-21T08:20:28","guid":{"rendered":"https:\/\/www.marcelajardon.net\/2016\/?p=6432"},"modified":"2026-04-30T13:48:48","modified_gmt":"2026-04-30T13:48:48","slug":"2020-undocumented-events-and-object-permanence","status":"publish","type":"post","link":"https:\/\/www.marcelajardon.net\/2016\/2020-undocumented-events-and-object-permanence\/","title":{"rendered":"(2020) Undocumented events and object permanence"},"content":{"rendered":"

An online exhibition series and work in progress thematizing documentation, conservation, (false) memory, (art) object, phenomenology, and blockchain certification.<\/p>\n

Spring 2020 collection<\/h2>\n

The exhibition series is chunked into a seasonal schedule around equinoxes and solstices.<\/p>\n

These are 63 works submitted between January and March 2020.<\/p>\n

Participating artists<\/p>\n

Acoustic Mirror, Bruce Barber, Arlen Barrera Leyva, sohil bhatia, Lawrence Bird, Alessa Brossmer, Ana Buigues, Cyborg Art Collective, sajjad dadpour, desire_direct, Reynald Drouhin, J\u00f5rn Ebner, Siegmar Fricke \/ Pharmakustik, Mr. G, Benna Gaean Maris, Marko Gaertner, Diana Galimzyanova, Max Herman, Max Herman & Michael Szpakowski, Jinu Hong, Brenda Hutchinson, Danielle Imara, marcela jardon, Yejin Stephany Lee, Jan Robert Leegte, Zhongkai Li, Tatjana Macic, Aaliyah Marsh, Konstantina Mavridou & Silvia Gatti, Zsolt Mesterhazy, Jeff Ostergren, Bya de Paula, Milos Peskir, Daniel Pinheiro, pitscher, Theodora Prassa, Stefanie Reling-Burns, Natallia Sakalova, SLIDERS_lab [Fr\u00e9d\u00e9ric Curien, Jean-Marie Dallet], Alan Sondheim, Anthony Stephenson, Elle Thorkveld, Christian Tiedeman, Jordan Topiel Paul, Jurgen Trautwein, A. P. Vague, Thomas Valianatos, Emilio Vavarella, Juri Wennekes, Paul Wiegerinck, William Wolfgang Wunderbar, and [anonymous]<\/p>\n

#190<\/i><\/p>\n

\"\"<\/a>
\nmarcela jardon
\nSeeds, 2014
\neveryday presences<\/p>\n

This series simulates the images of scientific research on seeds and leaves, and everyday objects.
\nThe writing and the signs are calligraphy, asemic writing.
\nSo, I wonder, how far can we trust the truthfulness, accuracy, and even importance of documentary images?
\nI believe that without an extreme ethical conscience, (and even with it) the documentation is deeply destined to be partial, to exclude the blind spot of the documentary maker, and to cancel possibilities of experiences of the rest of the observers.<\/p>\n

#signs #art #experience #consciousness #self #documentation #conservation #memory<\/p>\n

………………………………………..<\/p>\n

presencias cotidianas<\/p>\n

Esta serie simula las im\u00e1genes de investigaci\u00f3n cient\u00edfica sobre semillas, hojas, y objetos cotidianos.
\nLa escritura y los signos, son caligraf\u00eda, escritura as\u00e9mica.
\nEntonces, me pregunto, hasta d\u00f3nde podemos fiarnos de la veracidad, exactitud, e incluso importancia de las im\u00e1genes documentales?
\nCreo que sin una extrema conciencia \u00e9tica, (y a\u00fan con ella) la documentaci\u00f3n est\u00e1 profundamente abocada a ser parcial, a excluir el punto ciego del documentador, y a anular posibilidades de experiencias del resto de los observadores<\/p>\n

#signos #arte #experiencia #conciencia #yo #documentaci\u00f3n #conservaci\u00f3n #memoria<\/p>\n

Fotograf\u00edas intervenidas digitalmente, Barcelona, 2014<\/p>\n

Download pdf<\/a><\/p>\n

https:\/\/noemata.net\/ueop\/work.php?no=190<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\nAn online exhibition series and work in progress thematizing documentation, conservation, (false) memory, (art) object, phenomenology, and blockchain certification. Spring 2020 collection The exhibition series is chunked into a seasonal schedule around equinoxes and solstices. These are 63 works submitted between January and March 2020. Participating artists Acoustic Mirror, Bruce Barber, Arlen Barrera Leyva, sohil…\n<\/div>\n
Continue reading “(2020) Undocumented events and object permanence”<\/span>…<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[262,311,312],"tags":[],"class_list":["post-6432","post","type-post","status-publish","format-standard","hentry","category-documentacion","category-exposiciones","category-webs","entry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/posts\/6432","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/comments?post=6432"}],"version-history":[{"count":1,"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/posts\/6432\/revisions"}],"predecessor-version":[{"id":6435,"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/posts\/6432\/revisions\/6435"}],"wp:attachment":[{"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/media?parent=6432"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/categories?post=6432"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marcelajardon.net\/2016\/wp-json\/wp\/v2\/tags?post=6432"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}