{"id":887,"date":"2016-07-14T18:26:26","date_gmt":"2016-07-14T18:26:26","guid":{"rendered":"http:\/\/www.marcelajardon.net\/2016\/?p=887"},"modified":"2026-05-07T12:39:00","modified_gmt":"2026-05-07T12:39:00","slug":"la-medida-del-cielo","status":"publish","type":"post","link":"https:\/\/www.marcelajardon.net\/2016\/la-medida-del-cielo\/","title":{"rendered":"la medida del cielo"},"content":{"rendered":"

The paintings on paper, the ones with the calligraphy in relief, are the sketches prior to what later became the paintings. In thats paintings on canvas, I have discarded writing in relief.<\/em>
\nI use calligraphy, like asemic writing. (many years ago, I studied zen calligraphy, but for me it was just drawings, since I didn’t know the meaning of what I was writing. And since then, I use \u00abautomatic\u00bb writing. At first I thought it was like \u00abthe traces of the soul\u00bb. In recent years, I continue to use it, but also, with a more realistic conviction, because I believe that writing condenses the imprint of each person as particle and wave.)<\/em>
\nMJ 2015-2019<\/em><\/p>\n

Las pinturas sobre papel,\u00a0 las que tienen la caligraf\u00eda en relieve, son los bocetos previos a las que luego fueron las pinturas. En las pinturas sobre tela, he descartado la escritura en relieve.
\nUtilizo la caligraf\u00eda, como escritura as\u00e9mica.( hace muchos a\u00f1os, estudi\u00e9 caligraf\u00eda zen, pero para m\u00ed eran s\u00f3lo dibujos, ya que desconoc\u00eda el significado de lo que escrib\u00eda. Y desde entonces, utilizo la escritura \u00abautom\u00e1tica\u00bb\u00a0 Al principio pensaba que era como \u00ablos trazos del alma\u00bb. En los \u00faltimos a\u00f1os, sigo utiliz\u00e1ndola, pero adem\u00e1s, con una convicci\u00f3n m\u00e1s realista, porque creo que la escritura, condensa la huella de cada persona como part\u00edcula y onda.)
\nM.J. 2015-2019<\/p>\n

\u00abThanks to the sensibility acquired practising interdisciplinary arts, Jardon succeds in restoring the deep communion btween the human beign and the cosmos, finding the key, the link that was lost with centuries of technocratic alienation. In her artworks the environmntal element and the natural matter ar often combined to the human condition and its subconscious\u00a0 sphere, in a symbiosis\/dichotomy that represents both the solution and the cause of human struggles.\u00a0 The artist promotes a spirituality enlightened knowledge, a serendipitous attitude that does not need peer-reviews; because interior and ingeniously intuitive, a genuine and uncontaminated logic that does not need explanations inasmuch unique and incontrovertible.\u00bb<\/em><\/p>\n

Abramo \u2018TEPES\u2019 Montini \/ Andrea Swoboda
\nDeus Ex Terra. Visions beyond the deception of wealth.
\nCON-TEMPORARY Art Observatorium, Lavagna, Italy, 2019<\/p>\n

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